Sieraden en Horloges Diversen

Circa 1900 Art Nouveau brooch in 18ct yellow gold, formed as a whiplash spray of ribbons and a blossoming flower. Eight tapered pearls, often called ‘dogtooth’ pearls, are set as petals around a warm gold centre, their soft lustre playing against the lightly textured goldwork. A charming, sculptural jewel of the period. Unmarked, with safety chain.

Circa 1860, a French Victorian beetle brooch in 18 carat warm yellow gold. Set with garnets and rubies, the domed body is a deep garnet, framed by silver, with rose cut diamonds and tiny senailles sprinkled through the detailing. Nicely modelled legs and a slightly comical face give it that Victorian taste for lively nature studies, turned into something you can pin on and enjoy.

This late Victorian to early Art Nouveau brooch shows an ivory cameo of unusually fine quality. The low relief is carved with crisp definition, yet carries the gentle, dreamy mood so typical of early twentieth-century portrait work. Set in warm gold and signed “A. v. Dongen”, it offers the quiet pleasure of studying craftsmanship where every delicate curve rewards a closer look.

This Art Nouveau French gold hair comb, dating back to circa 1890, is a captivating piece that embodies the wonder of the era's artistic innovation. Crafted from horn and adorned with ten rose cut diamonds, it is an ode to the natural and organic motifs that defined the Art Nouveau movement. The use of horn, a material praised for its lightness and versatility, combined with the luxurious touch of 18K yellow gold, creates a sense of awe in its intricate design and craftsmanship. This hair comb i ...

Circa 1900, a French Victorian bar brooch in 18 carat red gold with a silver set fly motif. The wings are paved with rose cut diamonds and tiny senailles, while two cabochon sapphires form the body and rubies flash as eyes. A small pearl finial at the bar end adds a gentle, old fashioned note. Light, witty, and surprisingly wearable.

Circa 1900, a late Victorian spider brooch in 18 carat red gold and silver, its body formed by a luminous blister pearl. The head is set with an oval garnet, with three rose cut diamonds adding a glint of life. Modelled legs give the creature a poised, almost playful stance. If one must let a little creature creep close, this is the one.

This exquisite 19th Century French Sewing Nécessaire, hailing from the Grand Victorian Period, is a paragon of opulence and craftsmanship. Encased in an original, custom-made ivory box, it epitomises the luxurious aesthetic of the era. Crafted in 18K yellow gold, the set reflects the Victorian era's penchant for extravagant designs, inspired by global influences. It resonates with the period's historical significance, including the mourning jewelry trend post-1850. The intricate monogram J.S (or ...

A refined pair of Art Deco earrings from the 1920s, designed with the crisp geometry so characteristic of the period. In white gold, they combine rose cut diamonds and senailles with deep black onyx, framing pear shaped diamond drops that catch the light with a soft, older sparkle. Slender and architectural, they have the restrained glamour that makes Art Deco jewellery feel modern still.

A charming Interbellum bee brooch, circa 1930, its lively form picked out in yellow gold and silver with rose cut and single cut diamonds, centred by a vivid ruby. The wings are finely shaped and light in appearance, while the striped body and delicate legs give the piece real character. A small jewel with wit and presence, carrying the bee’s old associations with industry, devotion and sweetness.

French, circa 1860, a Victorian bar brooch in 18 carat warm yellow gold, centred by a jewelled beetle. The wing covers are formed by two domed garnets of deep wine colour, while the thorax is set with rose cut diamonds and tiny senailles in a silver top. Ruby eyes give a sly, alert expression, and a single pearl finial softens the line of the bar. With the wing cases eased open, it feels less pinned than briefly persuaded to stay.

Circa 1900, a Victorian dragonfly brooch in 18 carat red gold with silver topped wings, lavishly set with a scatter of old cut and rose cut diamonds. A vivid sapphire forms the body, with two small rubies picked out as eyes, and fine openwork gives the wings a light, floating look despite the sparkle. It sits neatly on the collar or lapel, catching light with every turn, a tiny creature of evening air made in precious materials.

This vintage 1930s Art Deco engagement ring radiates timeless glamour. Crafted in platinum, it reflects the iconic Art Deco aesthetic with geometric precision. The centrepiece is a vintage emerald-cut diamond (approx. 0.60 carat), surrounded by 18 brilliant-cut diamonds.

This captivating Art Deco engagement ring from the 1920s features an exquisite old brilliant-cut diamond at its centre, weighing approximately 0.82 carats. The diamond is surrounded by vibrant emeralds, creating a striking contrast against the yellow gold and platinum setting. A true reflection of the geometric elegance and abstract forms that define the Art Deco style, this piece beautifully merges the glamour and modernity of the era. The wear of time is gracefully apparent, adding a layer of ...

A Baroque stick pin, circa 1680, showcases the exquisite artistry of the era. Crafted in 14K yellow gold, this piece features the enduring pigeon motif, a symbol of peace and the Holy Ghost. Adorned with eight rose-cut diamonds and a central pearl, flanked by strass mimicking rubies and emeralds, it embodies love and harmony. The pin's back, a later addition, reflects the jewel's evolving history. This piece encapsulates the rich symbolism and opulence characteristic of the Baroque aesthetic.

A Georgian brooch of exceptional craftsmanship, hailing from the historical crossroads of the Netherlands and 'The Southern Netherlands', circa 1750. Adorned with a "Flemish Heart", this silver piece, born as a pendant and later transformed into a brooch, is a testament to the era's romance and fashion. The heart, a canvas of 53 meticulously placed rose cut diamonds, symbolises the triumph of love, underscored by the theme of Georgian love and romance. This piece bears a Dutch hallmark 'v', indi ...

Circa 1920, a pair of transitional late Belle Époque to early Art Deco drop earrings in platinum and 18ct yellow gold, each centred with an oval sapphire, together weighing approximately 12.40 carats, within a fine border of 58 diamonds and suspended from a diamond set terminal. The openwork backs and delicate millegraining keep the look light on the ear, yet the crisp oval frames hint at the decade to come.

Victorian, circa 1860, a French 18K gold perfume bottle cased in an openwork gold lattice, each junction set with a cabochon turquoise. A hinged turban cap lends an Ottoman inspired accent, in step with the Orientalist taste fashionable in Paris, in painting, dress, and the decorative arts, including the harem scenes of Ingres and Delacroix. Turquoise was named for its Turkish route into Europe, a link that suits the turban form rather well. The perfume aperture retains its removable gold applic ...

A radiant necklace from the Southern Netherlands, circa 1820, crafted in 18K yellow gold with fine filigree and granulation work. The design showcases fourteen oval citrines, their honeyed glow framed by delicate scrolls of gold wire. Both Georgian and early Victorian in spirit, this jewel reflects the transition of taste between eras, blending opulence with refined lace-like artistry. The cornucopia hallmark affirms its regional origin, while its generous proportions and luminous stones evoke t ...

This ring, a harmonious blend of fifties flair and Art Deco's geometric elegance, tells a tale of timeless commitment. Crafted around 1950, it carries the era's spirit, touching the threshold of Retro and Art Deco styles with its platinum gleam and bold design. At its heart, a 2.20 carat untreated emerald, encircled by 14 old mine-cut diamonds totalling approximately 2.24 carat, whispers stories of ancient Roman betrothals and the enduring tradition of engagement rings that became standardised w ...

Behold, an exquisite antique flower brooch, a relic from the Grand Victorian Period, circa 1860, with origins rooted in the Netherlands. This trembleuse corsage brooch boasts the radiance of 130 high-quality rose-cut diamonds, delicately set upon a silver foil and embraced by the warmth of 14K red gold. These rose-cut diamonds, renowned for their captivating lustre, rest upon a bed of foil, their brilliance akin to stars in the night sky.