Sieraden en Horloges Diversen

Made in the early years of Belgium, around 1830 to 1840, this Georgian ring bears the horse’s head control mark, among the earliest Belgian gold marks used after independence. It is set with seven rose cut diamonds in silver over 18 carat red gold. Its slim, gently curving line and softly irregular old cuts give it a quiet intimacy that suits the period beautifully.

A charming Georgian ring from Belgium, made around 1830, set with seven rose cut diamonds in silver on red gold. Its gently graduating line and softly closed backs give it the quiet intimacy so often found in early nineteenth century jewels, while the foil behind the stones lends them a warm, subdued shimmer rather than a hard brilliance.

A striking vintage 1950s ring centred on an elongated turquoise matrix cabochon, its vivid blue veining framed by a glittering border of diamonds with an approximate total weight of 0.72 carat. Set in 18ct white gold, the design has a bold mid century presence, yet the openwork gallery keeps it light and elegant on the hand. A lively and characterful jewel with real visual charm.

A striking pair of Art Deco cufflinks from the 1920s, each designed with a faceted rock crystal disc suspending a delicate floral cluster of rose cut diamonds and a central pearl. The contrast between crisp geometry and soft detail gives these vintage cufflinks a particularly refined character, while the clear crystal lends them a light, almost icy elegance typical of the period.

A peculiar Art Deco ring from the 1920s, this jewel combines two old cut diamonds with rose cut diamonds in a bold geometric design. Most touching of all, however, are the two preserved milk teeth, transforming the ring into a deeply personal keepsake in which motherly love is made tangible and preserved as a lasting remembrance.

A charming Belle Époque love ring, dating to around 1910, centred on a heart shaped cabochon opal with lively green and blue play of colour, with a hint of yellow and small orange red flashes, tied above with a diamond set bow as though offered as a small romantic gift. The slender gold hoop and delicate rose cut diamond clusters give it the lightness so prized in jewels of this period. Tender in mood yet quietly refined, it captures the sentiment and grace that made Belle Époque jewellery so en ...

A striking Victorian snake ring, dating to around 1880, this sculptural jewel coils across the finger in rich 18ct yellow gold, its engraved surfaces and curling lines already hinting at the coming Art Nouveau taste for more fluid natural forms. The three serpent heads are set with old mine cut diamonds, together weighing approximately 1.24 carats, of light yellow colour and VVS to VS clarity. Both decorative and symbolic, it carries the enduring 19th century fascination with the serpent as an e ...

For those in search of a white raven among antique jewels, this may be the one. Light in spirit yet finely made, this Victorian tiepin is modelled as a white raven perched upon a branch. Its body is set with almost 140 diamonds, with ruby eyes adding a vivid accent, while the combination of red gold and silver gives the piece both warmth and brightness. An engraved date, 1 Avril 1905, lends the piece an especially personal note. At the same time, such an inscription does not necessarily record t ...

A charming Georgian pendant, probably French or English and dating to around 1820, centred on an oval enamel plaque in grisaille. Two cherubs appear in soft shades of grey and white against a delicate pink ground, giving the scene a quiet, poetic quality. The image has that intimate, reflective character so often admired in early 19th century decorative art, while the gold surround frames it with warmth and restraint. A small jewel, but one with atmosphere.

A Victorian harem ring, circa 1890, formed as seven slender bands in warm reddish yellow gold, each set with its own line of gemstones: rose cut diamonds, turquoise, sapphires, seed pearls, amethysts, rubies and emeralds. It has that late Victorian gift for colour and variety, almost as if seven rings had been gathered into one, yet the effect remains composed and lively.

Pair of Iberian earrings in 18K yellow gold, dating to around 1725. Their rounded settings are decorated with simple engraved details in the Baroque style and set with paste stones that shift in colour from dark green to violet, originally enhanced with coloured foils. Although showing signs of age and wear, particularly at the back, they remain appealing from the front. A characteristic example of early 18th-century Spanish or Portuguese jewellery, reflecting the taste and techniques of the per ...

Art Deco platinum ring, circa 1930, centred with an octagonal step cut sapphire of deep velvety blue, held within a crisp geometric frame. The plaque head is lined with 50 rose cut diamonds in graduated rows, finished with fine millegrain and a light openwork gallery. Diamond set shoulders taper to a slender band, giving a clean line on the hand. A compact, architectural jewel that still feels quietly modern, in good condition for its age.

This early Victorian stickpin from around 1850 shows a delicately modelled hand in matte yellow gold, lifting a rose cut diamond with graceful precision. The sculpted cuff, with its scalloped edging and gentle folds, adds a charming touch of period fashion, as if capturing a gesture from a romantic miniature portrait. Its blend of sentiment, artistry and tactile detail makes this a refined keepsake from the Romantic Victorian era.

This vintage tiepin, circa 1970, clearly inspired by the Art Deco period (some 50 years earlier), captures the grace of a flying bird, meticulously crafted in 18K yellow and white gold. Adorned with eight brilliant cut diamonds, 24 rubies, twenty sapphires, and a single emerald, this piece is a testament to nature's beauty and craftsmanship. The blend of gemstones brings a vibrant touch to the elegant design, evoking a sense of freedom and sophistication.

Victorian fox head stickpin, Grand Victorian period, circa 1880, in 14K red gold with a silver modelled mask. The alert muzzle and pricked ears are set with rose cut diamonds, their foil backing lending a soft, candlelit glitter, and finished with two small red cabochons for eyes. A witty, well observed nature motif, light on the lapel yet unmistakably of its era.

Circa 1920, a platinum pendant on necklace, poised between Belle Époque lightness and early Art Deco geometry. The openwork drop is centred by a pear shaped rose cut diamond, framed by further rose cut diamonds and senailles, with sapphire accents drawing the eye to the scroll like base. Topped with a natural pearl, it sits neatly at the collarbone, a small but assured jewel with the feel of something kept and quietly enjoyed.

Art Deco pendant, circa 1930, in 18K white gold, centred on an octagonal onyx plaque with a prominent rose cut diamond in a milgrain bezel. The slender, stepped suspension is set with further rose cut diamonds and small rose cut diamonds, giving a crisp play of light against the black ground. Neat, architectural and quietly glamorous, it wears like a small piece of the Jazz Age.

Evoking the distinctive elegance of the 1950s, this vintage tri-colour gold clip is a masterpiece of post-Art Deco creativity. Crafted in 14K red, yellow, and white gold, it features eight resplendent sapphires, encapsulating the era's innovation in design. This piece, while echoing the geometrical precision of Art Deco, brings a unique Fifties flair, making it a timeless addition to any collection. It's a celebration of the period's fashion and a nod to the September birthstone, offering both b ...

This Victorian stickpin from around 1870 presents a finely modelled blackamoor bust crowned and adorned with shimmering rose cut diamonds. The darkened metal and warm gold provide a striking contrast, giving the figure a gentle gravitas that feels rooted in the Grand Victorian taste for exotic motifs. Its sculptural quality suggests the hand of an artisan attentive to expression and movement, making it a small yet evocative relic of its period.

An exquisite vintage antique pendant seal from around 1840, featuring a standing horse with a raised foreleg, crafted in 18K yellow gold. This piece hails from the Romantic Victorian Period, a time of sentimental and symbolic designs inspired by Queen Victoria's love and devotion. The horse, a universal symbol of freedom, is beautifully rendered in this pendant, reflecting the era's intricate craftsmanship. Enhanced by a single carnelian stone, this pendant combines historical charm with artisti ...