Sieraden en Horloges Diversen

These 1950s Art Deco style ear studs centre on two brilliant-cut diamonds, framed by tightly set single-cut diamonds with a combined weight of approximately 1.00 ct. Their compact circular form and crisp geometry give them a poised, light-catching character, while their restrained proportions make them easy to wear. A quietly elegant pair with enduring sparkle.

Created in France around 1890, this late Victorian or early Art Nouveau brooch presents Diana in finely modelled profile, the crescent moon in her hair and a quiver at her shoulder. As goddess of the hunt, the moon and untamed nature, she embodied independence, strength and feminine self-possession. Subtle diamond accents enliven her jewellery and headdress, catching the light without disturbing the sculptural calm of the design. Signed by Émile Vernier, it belongs to the refined French traditio ...

This platinum Art Deco pendant, dating from around 1920, is composed as a sequence of crisp geometric sections, culminating in a tapered, architectural drop. An old brilliant-cut diamond forms the central focus, surrounded by smaller diamonds in finely detailed settings. The articulated construction gives the pendant a gentle sense of movement, while the central diamond catches the light with a soft, old-world brilliance. Delicate in scale yet full of character, it has the intimacy of a jewel on ...

Dating from around 1945, this Belgian Retro brooch takes the form of a richly stylised tulip, its sculptural yellow-gold petals traced with rows of vivid man-made rubies. The openwork flower head contrasts beautifully with the long, polished stem and sweeping leaves, giving the piece both movement and considerable presence. Bold yet graceful, it captures the period’s taste for natural motifs reimagined through strong, architectural lines.

These long Rococo pendant earrings, made in the Southern Netherlands around 1750, combine airy gold openwork with the pale glimmer of diamonds. Eight table-cut diamonds form the principal accents, surrounded by 48 rose-cut diamonds and senailles, their irregular facets lending a soft, candlelit brilliance. Imagine wearing earrings made some 275 years ago, still preserved in such remarkable condition. Their elongated construction moves gracefully when worn, while the closed-back settings and deli ...

This substantial vintage white gold ring, dating to circa 1990, is centred by a vivid green Colombian emerald heart weighing 2.95 ct. Its strong sculptural form is softened by the romantic shape of the stone, while 2.66 ct of diamonds spread across the broad shoulders in a dense field of light. Bold yet carefully balanced, it has the presence of contemporary high jewellery and the intimacy of a deeply personal love token.

This substantial platinum ring, made around 1955 in the Art Deco style, is a robust statement piece with a distinctly architectural presence. A natural emerald of approximately 2.58 ct forms the centre, framed by two old mine brilliant cut diamonds and 28 baguette cut diamonds totalling approximately 2.35 ct. The vivid green emerald and crisp diamond geometry create a powerful contrast, while the older brilliant cuts bring a subtle softness to the bold composition.

Dating from around 1930, this Art Deco ring plays with the striking contrast between sparkling diamonds and deep black onyx. Its distinctive geometric design is softened by the warmth of the yellow gold band, while platinum lends a cool brightness to the upper section. Small yet full of character, it captures the glamour and confident elegance of the Art Deco age.

Dating to circa 1910, this Belle Époque engagement ring is designed around two old brilliant cut diamonds weighing approximately 0.90 carat in total. Their softly individual character is complemented by a smaller central diamond and rose cut accents set within flowing, leaf-shaped shoulders. The openwork design gives the ring an elegant lightness on the hand.

This Belgian platinum Art Deco style ring, dating from around 1950, has a striking architectural presence. Two old European cut diamonds anchor the stepped, geometric composition, while four smaller diamonds sharpen its symmetry and sense of movement. With approximately 1.92 carats in total, the design feels bold yet disciplined, carrying the confidence of Art Deco into the early post war years. A ring with real character, made for someone drawn to strong lines rather than quiet convention.

Dating from around 1915, this Edwardian diamond ring combines the warmth of yellow gold with a delicate platinum-set openwork panel. An old European cut diamond forms the centre, surrounded by 64 rose cut diamonds and senailles arranged across the lace-like geometric design. Fine millegrain edges heighten the airy effect, while the pierced shoulders and small diamond accents lend the ring an elegant lightness typical of the period.

This 1950s Art Deco style ring centres on an oval matrix turquoise, its vivid blue-green surface traced with natural dark veining. A delicate border of diamonds follows the stone’s outline, while further diamonds are set into the raised basket edge and shoulders, giving the platinum mount lightness and sparkle from every angle. The openwork gallery adds an elegant architectural quality characteristic of mid-century interpretations of Art Deco design.

This late Victorian gold snake ring, dating to around 1900, coils across the finger in a richly sculptural design. One serpent is set with a ruby, the other with a lightly yellow old European cut diamond weighing approximately 0.70 carat, while tiny seed pearls accent their heads. Richly engraved surfaces and flowing gold curves give the ring a character that is at once protective, mysterious and distinctly of its period.

A refined Art Deco engagement ring from around 1930, centred by an old brilliant cut diamond of approximately 0.20 ct. Its geometric white gold head is enlivened by four deep blue lab produced sapphires, set within an openworked design of crisp lines, soft curves and finely pierced detail. Small in scale, yet full of period character, it carries the elegance and optimism of the late Jazz Age.

A compact Grand Victorian gold locket pendant, circa 1870, with a shield-like outline and a quietly playful line of rubies and rose cut diamonds across its front. The softly matt surface gives the jewel a restrained dignity, while the hinged compartment inside keeps its original sentimental purpose close. Small in scale, yet full of period character.

An Art Deco diamond ring, circa 1930, crafted in platinum with a rounded, architectural ring head. A central old brilliant cut diamond is framed by rows of single cut diamonds, set among curved geometric lines and fine millegrain borders. The openwork construction gives the design lightness, while the layered patterning reflects the elegance and precision of the interbellum period, when symmetry, movement and modernity shaped jewellery with quiet confidence.

Antique 18K yellow gold cameo locket brooch, circa 1870, designed with a finely and professionally carved shell cameo thought to depict Flora, the mythological goddess of flowers and spring, her hair adorned with blossoms. The quality of the carving is especially visible in the clean profile, notably the elegant line of the nose and mouth. The rich Grand Victorian mount is alive with vine leaves, grape clusters and curling tendrils, lending the jewel a Bacchic air of abundance. Opening as a lock ...

A Late Victorian ring, circa 1880, centred by a softly glowing opal within a border of rose cut diamonds. The warm red gold setting and finely pierced openwork gallery give the jewel a delicate height, allowing light to pass beneath the stones. Gentle flashes of colour move across the opal, held in contrast by the subdued sparkle of the antique diamonds, making this a refined and quietly enchanting Victorian ring.

A Grand Victorian brooch, circa 1870, designed as a diamond-set leaf within a circular frame. The red gold body, silver details and openwork construction give the jewel both depth and lightness, while the old brilliant cut diamonds, rose cut diamonds and senailles create a lively, irregular shimmer. Naturalistic yet substantial, it reflects the taste of the period for botanical forms with a sense of richness, movement and quiet sentiment.

A playful Victorian brooch from circa 1890, modelled as a stylised bee or fly with finely engraved red gold wings and silver-set accents. Its body is bright with rubies, rose cut diamonds and glinting diamond highlights, while a blue sapphire forms the centre of the thorax. There is something delightfully mischievous about wearing such a tiny jewelled creature on a lapel or shoulder, as if it had just settled there for a moment.