French, circa 1860, a Victorian bar brooch in 18 carat warm yellow gold, centred by a jewelled beetle. The wing covers are formed by two domed garnets of deep wine colour, while the thorax is set with rose cut diamonds and tiny senailles in a silver top. Ruby eyes give a sly, alert expression, and a single pearl finial softens the line of the bar. With the wing cases eased open, it feels less pinned than briefly persuaded to stay.
Circa 1900, a Victorian dragonfly brooch in 18 carat red gold with silver topped wings, lavishly set with a scatter of old cut and rose cut diamonds. A vivid sapphire forms the body, with two small rubies picked out as eyes, and fine openwork gives the wings a light, floating look despite the sparkle. It sits neatly on the collar or lapel, catching light with every turn, a tiny creature of evening air made in precious materials.
Victorian, circa 1860, a French 18K gold perfume bottle cased in an openwork gold lattice, each junction set with a cabochon turquoise. A hinged turban cap lends an Ottoman inspired accent, in step with the Orientalist taste fashionable in Paris, in painting, dress, and the decorative arts, including the harem scenes of Ingres and Delacroix. Turquoise was named for its Turkish route into Europe, a link that suits the turban form rather well. The perfume aperture retains its removable gold applic ...
Victorian peacock jewel, circa 1860 to 1870, with a detachable mounting so it can be worn either as a brooch or as a hair comb. Caught mid display, the tail reads as a fan of rose cut diamonds and senaille chips, pricked with red and green accents, with faint traces of blue enamel still visible, and finished with a lustrous pearl drop. A charming piece of period theatre, with the slightly puzzling history of later fittings and alterations at the back. Attributed to Gustave Baugrand, unconfirmed.
Circa 1920, a pair of transitional late Belle Époque to early Art Deco drop earrings in platinum and 18ct yellow gold, each centred with an oval sapphire, together weighing approximately 12.40 carats, within a fine border of 58 diamonds and suspended from a diamond set terminal. The openwork backs and delicate millegraining keep the look light on the ear, yet the crisp oval frames hint at the decade to come.
An Art Nouveau toi et moi ring, made around 1900, in 18 carat yellow gold and platinum, its twin terminals curling in a supple botanical sweep, a signature flourish of the Art Nouveau style. An old European cut diamond meets an oval ruby, each in light claw settings, while the crossing shoulders are traced with antique cut diamonds for a soft, candlelit glint. The French name 'Toi et Moi' says it plainly: you and me, held together in one ring, a small vow you can wear, and a story that has every ...
Circa 1900, a Belle Epoque diamond ring in 18 carat white gold, centred on one old European cut diamond between two old brilliant cut diamonds, each in a smooth bezel. The open scroll shoulders, set with rose cut diamonds and fine millegrain, give that unmistakable Belle Epoque airiness: elegant, restrained, and quietly romantic. It catches the light with a softer shimmer rather than a shout, and feels like a jewel made to be worn and kept. Total weight of the three principal diamonds approximat ...
This platinum bracelet from the early 1950s is a substantial example of mid-century diamond craftsmanship. Its broad, articulated construction allows the piece to fall naturally on the wrist, while more than fifty-four carats of diamonds in high colour and clarity create a striking, deliberate brilliance. The assured design and well-resolved structure reflect the period’s renewed appetite for luxury, achieved through discipline and technical competence rather than excess.
A rare survivor from around 1600, this transitional Renaissance to Baroque cluster ring embodies the discerning taste of early European connoisseurs. Crafted in yellow gold and silver, it holds nine table cut diamonds of exceptional calibre, their harmonious brilliance a testament to refined selection and mastery. Such uniform quality in stones of this period is extraordinarily rare, marking this jewel as one likely commissioned by a family of distinction. Rings of this type were not uncommon in ...
A refined platinum engagement ring from around 1950, echoing the Art Deco style that inspired much of mid-century design. Centred with a certified brilliant-cut diamond of 1.91 carats, I colour and VS2 clarity, surrounded by sixteen smaller diamonds totalling about 0.64 carat. The scalloped halo and precise craftsmanship highlight the clean elegance and balance of its time, making it a timeless choice for an engagement or a meaningful anniversary celebration.
A radiant necklace from the Southern Netherlands, circa 1820, crafted in 18K yellow gold with fine filigree and granulation work. The design showcases fourteen oval citrines, their honeyed glow framed by delicate scrolls of gold wire. Both Georgian and early Victorian in spirit, this jewel reflects the transition of taste between eras, blending opulence with refined lace-like artistry. The cornucopia hallmark affirms its regional origin, while its generous proportions and luminous stones evoke t ...
Art Deco platinum necklace set with a pear-shaped diamond of 2.77ct, H colour, VS2 clarity. The pendant is suspended from a line of thirteen old brilliant cut diamonds totalling approximately 0.46ct. A fine example of 1920s design, combining balance, sparkle, and the clean geometry of the period.
A marvel of Victorian artistry, this grand brooch captivates with its blend of natural inspiration and exquisite craftsmanship. At its heart lies an extraordinary blister pearl, almost 40mm in length, with intricate lines and grooves that evoke the petals of a flower in bloom. This rare pearl is set amid vibrant green enamel leaves, their texture reminiscent of delicate veining, adding lifelike depth to the design. Surrounding the pearl, 49 old brilliant-cut diamonds, totalling approximately 4.8 ...
A graceful bow-shaped brooch from the 1910s, where Belle Époque refinement meets early Art Deco flair. Set with luminous seed pearls and royal-blue sapphires in a stylised fan-like motif, it centres on a glinting old-cut diamond. The subtly curved silhouette gives the illusion of movement, as if freshly tied. Its playful elegance evokes soirées past, an intimate nod to fashion, femininity, and the quietly luxurious joys of dressing well.
With its refined geometry and delicate openwork, this white gold bracelet captures a rare moment where Edwardian elegance meets the bold linearity of early Art Deco. Set with a rhythmic pattern of old-cut diamonds, each square link feels almost architectural, yet softened by milgrain edges and subtle curves. A graceful interplay of light and shadow across the filigree gives the bracelet a quiet sophistication, equally suited to daytime refinement or evening charm. Worn today, it becomes not just ...
A jewel that whispers of theatre and evening elegance, this vintage diamond ring evokes the refined glamour of the 1920s. Its openwork plaque shimmers with layered diamond motifs, radiating from a central old brilliant cut. The scalloped design, set in yellow and white gold, hints at Belle Époque grace while embracing Art Deco boldness. Ornate yet balanced, it draws the eye without demanding it, offering a glimpse into an era where beauty was meant to be admired slowly, with care.
This vintage French Art Deco bracelet epitomizes elegance and exclusivity, dating back to around 1923. Crafted from platinum, it showcases meticulous craftsmanship. The bracelet boasts a stunning array of 83 diamonds, totaling approximately 6.93 carats, enhancing its splendor. Adding to its charm are 36 carre and baguette cut onyx stones, along with 13 emeralds, contributing to its allure.
Not just earrings, but a moment of flight made eternal. Shaped in mirrored symmetry, these platinum earstuds capture two Birds of Paradise mid-air, their wings outstretched and their plumage rendered in 104 natural diamonds. A symbol of rare beauty, joyful movement and enduring love, they speak to those who see beyond adornment. Created around 1950, in a time still echoing with Art Deco grace, they offer not just decoration but presence. It is as if nature’s most elusive elegance had chosen the ...
Refined Elegance: French Art Deco Ladies Watch by Léon Hatot More than a timepiece, this platinum wristwatch by Léon Hatot is wearable art from an era of bold innovation. With 118 shimmering diamonds and 48 vibrant sapphires arranged in precise symmetry, it reflects both the glamour of the Roaring Twenties and Hatot’s distinctive approach to horology: elegant, modern and ahead of its time. His name may have faded from common memory, yet among connoisseurs, it still commands quiet reverence. As a ...
A lively celebration of mid-century whimsy, this vintage 1950s brooch captures the elegance of a hummingbird mid-hover. Crafted in 18K yellow and white gold, its dynamic form and finely textured feathers convey both motion and grace. With a delicate ruby eye and sparkling accents, it reflects the era’s fascination with nature, charm, and craftsmanship. This piece would not be out of place in a 20th-century design collection—its playful sophistication continues to captivate.