The central oval diamond, with its pleasing soft yellow colour, brings gentle warmth to a stepped platinum frame. Dating from around 1930, this Art Deco ring balances architectural precision with the delicacy of fine millegrain edges. Its old-cut diamonds give the composition a distinctive character, while their traditional association with enduring love lends a personal meaning to a ring firmly rooted in its own time.
Quietly sculptural and unmistakably of its time, this small white gold ring shows the early Seventies at their most restrained: a flowing, asymmetric line relieved by a single bright diamond. With its confirmed new old stock status, it offers the rare chance to be the first to wear a genuinely vintage ring, perhaps even as a distinctive engagement ring.
A petite white-gold solitaire, very much of the Seventies in its clean lines and uncomplicated setting. Made around 1970 and kept unworn as new old stock, it is an honest vintage ring: a small, bright piece of its own time, now ready to be worn for the first time.
A compact Art Deco ring in warm 18K rose gold, centred on two old mine cut diamonds.Its elongated openwork design is framed by ruby-red accents and rose-cut diamonds in white metal settings, giving it a clear geometric character. Made around 1930, it combines coloured stones and diamond detail in a light, wearable ring.
With their warm ruby cabochons, bright diamond accents and cheerful floral form, these clip earrings are pure ear candy. Their balanced circular clusters have the confident elegance of the Fifties, creating a colourful, expressive pair that brings a touch of joyful glamour to the wearer.
Dating from circa 1920, this ring combines the refined openwork of Belle Époque jewellery with the clearer geometry of early Art Deco. Its cultured pearl is encircled by vivid synthetic rubies, while senaille-cut diamonds add restrained sparkle throughout the design. The result is a distinctive period ring with balanced colour and fine detail.
A quiet dialogue of light and colour: two old mine cut diamonds rest at the ends of an openwork plaque, while smaller rose-cut and senaille-cut diamonds trace its scrolling flowers. A curved ribbon of synthetic rubies lends the design a graceful line of colour. Made around 1920, it retains the airy elegance of a jewel conceived to be admired close at hand.
Slip this ring on and be carried back to the late nineteenth century, when the harem ring’s exuberant seven-band silhouette made colour, movement and sparkle feel wonderfully new. Antique diamonds catch the light beside ruby, sapphire, emerald, turquoise and pearls, each band adding its own note to the chorus. It has the happy confidence of an evening when jewellery was allowed to be playful, richly coloured and a little extravagant.
The renowned American jeweller David Webb transformed a simple frog into an irresistible conversation piece. Its white enamel, raised gold spirals and ruby eyes make it wonderful company on a lapel or shoulder. Give it a kiss and you never know what you might find.
With its large blue star sapphire, diamond-set silver links and substantial yellow-gold curb chain, this bracelet is a fine example of late nineteenth-century French haute joaillerie. Its 96 rose-cut diamonds lead the eye from the sapphire into the articulated links, while its flexible construction lets it settle naturally on the wrist. A Parisian jewel by Léon Gariod, whom Henri Vever, the foremost chronicler of nineteenth-century French jewellery, praised for the rare perfection of his work.
These 1950s Art Deco style ear studs centre on two brilliant-cut diamonds, framed by tightly set single-cut diamonds with a combined weight of approximately 1.00 ct. Their compact circular form and crisp geometry give them a poised, light-catching character, while their restrained proportions make them easy to wear. A quietly elegant pair with enduring sparkle.
Dating from around 1945, this Belgian Retro brooch takes the form of a richly stylised tulip, its sculptural yellow-gold petals traced with rows of vivid man-made rubies. The openwork flower head contrasts beautifully with the long, polished stem and sweeping leaves, giving the piece both movement and considerable presence. Bold yet graceful, it captures the period’s taste for natural motifs reimagined through strong, architectural lines.
These long Rococo pendant earrings, made in the Southern Netherlands around 1750, combine airy gold openwork with the pale glimmer of diamonds. Eight table-cut diamonds form the principal accents, surrounded by 48 rose-cut diamonds and senailles, their irregular facets lending a soft, candlelit brilliance. Imagine wearing earrings made some 275 years ago, still preserved in such remarkable condition. Their elongated construction moves gracefully when worn, while the closed-back settings and deli ...
This substantial vintage white gold ring, dating to circa 1990, is centred by a vivid green Colombian emerald heart weighing 2.95 ct. Its strong sculptural form is softened by the romantic shape of the stone, while 2.66 ct of diamonds spread across the broad shoulders in a dense field of light. Bold yet carefully balanced, it has the presence of contemporary high jewellery and the intimacy of a deeply personal love token.
This substantial platinum ring, made around 1955 in the Art Deco style, is a robust statement piece with a distinctly architectural presence. A natural emerald of approximately 2.58 ct forms the centre, framed by two old mine brilliant cut diamonds and 28 baguette cut diamonds totalling approximately 2.35 ct. The vivid green emerald and crisp diamond geometry create a powerful contrast, while the older brilliant cuts bring a subtle softness to the bold composition.
Dating from around 1930, this Art Deco ring plays with the striking contrast between sparkling diamonds and deep black onyx. Its distinctive geometric design is softened by the warmth of the yellow gold band, while platinum lends a cool brightness to the upper section. Small yet full of character, it captures the glamour and confident elegance of the Art Deco age.
Dating to circa 1910, this Belle Époque engagement ring is designed around two old brilliant cut diamonds weighing approximately 0.90 carat in total. Their softly individual character is complemented by a smaller central diamond and rose cut accents set within flowing, leaf-shaped shoulders. The openwork design gives the ring an elegant lightness on the hand.
This Belgian platinum Art Deco style ring, dating from around 1950, has a striking architectural presence. Two old European cut diamonds anchor the stepped, geometric composition, while four smaller diamonds sharpen its symmetry and sense of movement. With approximately 1.92 carats in total, the design feels bold yet disciplined, carrying the confidence of Art Deco into the early post war years. A ring with real character, made for someone drawn to strong lines rather than quiet convention.
Dating from around 1915, this Edwardian diamond ring combines the warmth of yellow gold with a delicate platinum-set openwork panel. An old European cut diamond forms the centre, surrounded by 64 rose cut diamonds and senailles arranged across the lace-like geometric design. Fine millegrain edges heighten the airy effect, while the pierced shoulders and small diamond accents lend the ring an elegant lightness typical of the period.
This 1950s Art Deco style ring centres on an oval matrix turquoise, its vivid blue-green surface traced with natural dark veining. A delicate border of diamonds follows the stone’s outline, while further diamonds are set into the raised basket edge and shoulders, giving the platinum mount lightness and sparkle from every angle. The openwork gallery adds an elegant architectural quality characteristic of mid-century interpretations of Art Deco design.